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Mark Rothko (1903-1970), initialement appelé Markus Rothkowitz, était un peintre américain et représentant de l’expressionnisme abstrait, plus précisément de ce qu’on appelle la peinture sur champs de couleurs. Son travail artistique dans les années 1930 a été influencé par le travail de Milton Avery et Henri Matisse avec des compositions et des zones de couleurs simplifiées, après quoi il a recherché des liens avec le mouvement surréaliste. Vers 1947, il rompt avec le surréalisme et se tourne vers l’abstraction. Ses toiles comportent, sur un fond uniformément coloré, deux ou trois rectangles de couleurs différentes, variant en largeur ou en hauteur, mais rarement les deux à la fois. Les couleurs saturées aux formes flottantes et expansives invitent à une expérience sensible et tactile, donnant au spectateur un rôle créatif. Rothko s’est efforcé de créer un langage universel qui plaise à tout le monde, loin de l’intellectualisation et des processus de création technique. Ses œuvres ultérieures dans les années cinquante et les années soixante sont devenues de plus en plus sombres.
Rothko, Mark --- Expressionnisme abstrait --- Etats-Unis --- Rothko, Mark, --- Painting --- paintings [visual works]
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“The journey to understand the painting is also the journey to understand Rothko, because the work is so thoroughly suffused with the man.”—Christopher Rothko Mark Rothko (1903–1970), world-renowned icon of Abstract Expressionism, is rediscovered in this wholly original examination of his art and life written by his son. Synthesizing rigorous critique with personal anecdotes, Christopher, the younger of the artist’s two children, offers a unique perspective on this modern master. Christopher Rothko draws on an intimate knowledge of the artworks to present eighteen essays that look closely at the paintings and explore the ways in which they foster a profound connection between viewer and artist through form, color, and scale. The prominent commissions for the Rothko Chapel in Houston and the Seagram Building murals in New York receive extended treatment, as do many of the lesser-known and underappreciated aspects of Rothko’s oeuvre, including reassessments of his late dark canvases and his formidable body of works on paper. The author also discusses the artist’s writings of the 1930s and 1940s, the significance of music to the artist, and our enduring struggles with visual abstraction in the contemporary era. Finally, Christopher Rothko writes movingly about his role as the artist’s son, his commonalities with his father, and the terms of the relationship they forged during the writer’s childhood. Mark Rothko: From the Inside Out is a thoughtful reexamination of the legendary artist, serving as a passionate introduction for readers new to his work and offering a fresh perspective to those who know it well.
Rothko, Mark, --- Rothkowitz, Marcus, --- רותקו, מארק, --- マーク・ロスコ, --- ART / Individual Artists / General.
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Painting, American --- Peinture américaine --- Rothko, Mark, --- Criticism and interpretation. --- Rothko, Mark --- -Criticism and interpretation --- painting [image-making] --- abstraction --- Peinture américaine --- Rothkowitz, Marcus, --- רותקו, מארק, --- マーク・ロスコ, --- Written works --- de Kooning, Willem
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A fascinating exploration of the life and work of one of America’s most famous and enigmatic postwar visual artists Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.
Painters --- Rothko, Mark, --- Rothkowitz, Marcus, --- רותקו, מארק, --- マーク・ロスコ, --- Painting, American --- Peintres --- Peinture américaine --- Biography. --- Biographies
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Rothko, Mark --- Painting, American --- Abstract expressionism --- Peinture américaine --- Expressionnisme abstrait --- Rothko, Mark, --- Exhibitions. --- Rothko Mark (Marcus Rothkowitz) 1903-1970 (°Dvinsk, Rusland) --- Schilderkunst ; 20ste eeuw ; Mark Rothko --- Abstract Expressionisme --- Color Field Painting --- 75.07 --- (069) --- schilderkunst --- twintigste eeuw --- 75.071 ROTHKO --- Schilderkunst ; schilders --- (Musea. Collecties) --- Exhibitions --- Painting --- Peinture américaine --- Rothkowitz, Marcus, --- רותקו, מארק, --- マーク・ロスコ,
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Aesthetics of art --- Psychology --- Rothko, Mark --- Resnais, Alain --- Beckett, Samuel --- Arts, Modern --- Psychological aspects. --- Arts [Modern ] --- 20th century --- Psychological aspects --- Arts, Modern - 20th century - Psychological aspects.
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Malevitsj, Kasimir --- Kandinsky, Vasili Vassileevich --- Still, Clyfford --- Pollock, Jackson --- Rothko, Mark --- Newman, Barnett --- Mondriaan, Piet --- Abstracte schilderkunst ; 20ste eeuw ; ontstaan en ontwikkeling --- Malevich, Kazimir --- Kandinsky, Wassily --- 75.037 --- 75.01 --- Schilderkunst ; 1900 - 1950 --- Schilderkunst ; theorie, filosofie, esthetica
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Abstract Expressionism was the dominant movement in experimental American painting from the 1940s through the early 1960s. This book is a collection of articles, reviews, and essays that chronicle the critical history of the movement from its inception to the present. Drawing on a range of sources, including newspapers, magazines, and exhibition catalogues, the original debates about the validity of "action painting" are dramatically illustrated. The articles selected for the volume include classic statements from the most influential and prolific critics, including Clement Greenberg, Harold Rosenberg, and Hilton Kramer. The editors have also included contributions of iconoclasts from the 1950s and 1960s such as Leon Golub and John Canaday to suggest the full range of critical discussion. Six representative artists are the subject of extended sections that include biographical chronologies, reviews, and the artists' own comments: Willem de Kooning, Adolph Gottlieb, Franz Kline, Barnett Newman, Jackson Pollock, and Mark Rothko.
Abstract expressionism --- Art, American --- Expressionnisme abstrait --- abstract expressionisme --- Kooning, Willem de --- Gottlieb, Adolph --- Kline, Franz --- Schilderkunst ; Verenigde Staten ; 20ste eeuw --- Kunsttheorie ; Abstract Expressionisme --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst ; theorie, filosofie, esthetica --- Schilderkunst ; 1950 - 2000 --- 7.038 --- 7.01 --- 75.038 --- Abstract Expressionisme --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Newman, Barnett --- Pollock, Jackson --- Rothko, Mark --- 20ste eeuw --- Verenigde Staten --- Art américain --- abstract expressionisme. --- Kooning, Willem de. --- Gottlieb, Adolph. --- Kline, Franz. --- Newman, Barnett. --- Pollock, Jackson. --- Rothko, Mark. --- 20ste eeuw. --- Verenigde Staten.
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art theory --- History --- Art --- art history --- Art styles --- Abstract Expressionist --- Avery, Milton --- Graham, Martha --- Krasner, Lee --- Kooning, de, Willem --- Motherwell, Robert --- Benton, Thomas Hart --- Still, Clyfford --- Rothko, Mark --- Newman, Barnett --- Baziotes, William --- Reinhardt, Ad --- Lipton, Seymour --- Gorky, Arshile --- Gottlieb, Adolph --- Pollock, Jackson --- anno 1900-1999 --- anno 1940-1949 --- anno 1950-1959 --- Abstract expressionism --- -Arts, American --- -American arts --- Expressionism (Art) --- Painting, Abstract --- Art informel --- Arts, American --- -Abstract expressionism --- Arts, Modern --- Algonquin Round Table --- Catharctic Circle (Group of artists)
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Art criticism --- Art appreciation --- Critique d'art --- Art --- History --- Histoire --- Appréciation --- Arts --- Vocational guidance --- Themes, motives --- kunst --- kunsttheorie --- semiotiek --- semiologie --- schilderkunst --- kunst en semiotiek --- Pirenne Maurice --- Groupe Quanta --- Mambourg Claire --- Edeline Guillaume --- Francis Filip --- Rothko Mark --- Lambotte André --- Milo Jean --- Dutrieux Daniel --- kunst en poëzie --- Nicaise Christine --- Jovian Gyorgy --- Rouwette Fabian --- 75.01 --- 700.1 --- Arts Philosophy and theory --- Appréciation --- Criticism and interpretation --- Aesthetics --- Case studies --- Arts - Vocational guidance --- Arts - Themes, motives
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